In my opinion /r/bass is not the best sub-reddit on
the planet but it gave me the inspiration for this transcription. I have never
heard of the band Men I Trust before but
their song Show Me How
really caught me. It’s not super difficult but the harmonic movement and the
bassline outlining it rather unconventionally is somewhat special. I never play
with a pick so this was a bit of a challenge for me as well. I should do that
more often …
Yes, another Pino Palladino line. This time with Paul Young who built his solo
career on Pino’s fretless sound with a series of hits. One of those was the 1985
number Every Time You Go Away, a cover of the slightly differently named
Everytime You Go Away by Hall & Oates.
Young’s version features everything 80s: tinny guitar, electric sitar, huge
reverb on the drums and Pino’s Fretless Music Man Stingray. Just add enough
first sub-octave using a Boss OC-2 or a Markbass MB Octaver and you are good
to go, Stingray or not. Despite being a huge success and very popular with bass
players, I could not find a proper sheet transcription. So, here we are.
Good Friend is one of those gems you can find if you follow your Discover Weekly list
on Spotify religiously. I knew Emily King from another song called Distance
that was transcribed and covered by Pedro Zappa. Despite that, I never looked into her
album called The Switch until Spotify listed Good Friend.
There are a few interesting bits about the bassline, the electric synth sound
which was played by Mike Lavalleusing an original Novation Bass
Station, the slightly awkward and sustaining chopped-off rhythm and those
nice, tasty fills. To recreate that sound I resorted to a Markbass MB
Octaver which is a discontinued, faithful copy of the venerable BOSS OC-2.
But I am GASing for a Novation Bass Station II now for a while already.
I have never been a fan of the Dire Straits and until a month ago I knew nothing
besides the fact that they wrote Sultans of Swing and Mark Knopfler is their
guitar player. Well that changed after this month’s
SBLCover Challenge which featured the
song Your Latest Trick from the album Brothers in Arms. What caught me by
surprise was the relatively complex chord progression, the anticipated note
motif and the nice little fills by bass player John Illsley. To my surprise, I
could not find a good transcription …
Both Questlove and D’Angelo cite J Dilla (born James Yancey) to be a visionary
and an eye opener. He single-handedly invented the sloppy, slugging
behind-the-beat feel that is now considered a staple typical for Neo Soul,
Fusion and Hip Hop acts. Rumours say it happened by accident, when the samples
were not aligned “correctly” to the beat grid but shifted ever so slightly. In a
video, Questlove explains how he had to unlearn the rhythmic tightness and
precision he acquired over the years in order to achieve the musical ideas of
D’Angelo based on J Dilla’s beats.
Unfortunately, J Dilla died early in 2006 on a rare condition. However instead of giving
in, he produced his final solo album The Diary lying in a hospital bed. Off of
that album, Gangsta Boogie is a prime example for the aforementioned style,
which a transcription hardly can capture.